The silhouette of this piece marries the traditional Korean baiji pant pattern, which is characterized by minimal seams and the use of draping to create shape, with the men’s collared dress shirt and the apron. These elements were then subverted, altered, and merged to create this jumpsuit which is tied over the limbs to represent the naivety.

This look embodies the Witch’s guileful nature. The Witch is unassuming yet controls other characters from behind the scenes. Thus, the silhouette of this look appears unassuming when viewed from the front, but possesses an element of surprise when viewed from the back: the collared shirt silhouette has a unique extrusion. The metal exaggerated broach is based on the shape of a fountain pen as a reference to the adage “the pen is mightier than the sword”. The Witch’s power is not achieved through brute force, but rather through her cunning strategy.

This trench coat is a play on shrouding and revealing, absence and infinity, and ignorance and knowledge. Through the distortion and exaggeration of the wearer’s body architected by the tailored silhouette built upon the metal structure underneath, this piece reminds viewers of the centrality of the body to sculptural garments.